Posted in Women Who Wow Wednesday

Sue Storm

Hard to believe Fantastic Four came out nine years ago. And yet, watching the film once again after such a long time, even if it’s not in the theaters, brings interesting thoughts to mind. Sue Storm, Susie, Susan—whatever her name is, she’s Ms. Invisible, the girl with the hots for Reed Richards, the brain of the outfit.

Sue Storm
Sue Storm

Women Who Wow Wednesday begins with a radiation storm. Four friends hit by deep space rays attempt to cope with the aftershock of the change. Little by little, things change. Sue’s brother, Johnny Storm, burns the ski slopes—literally. Reed Richards has an episode where he can stretch his hand under a door. Ben Grimm turns into a stone. And Sue Storm disappears. She changes from being a beautiful woman to someone who no one can see.

First order of business is to save Ben Grimm, depressed about losing his wife. Sue gets more than what she bargains for. Her ability to create a force field allows her to prevent a fire to spread beyond its means. Saving a number of people along the way, she becomes the reluctant hero among the four.

Then there’s Victor Doom. We won’t get into him just yet. He’s Sue’s attraction. Beyond Reed’s past relationship with her, Victor’s attempted to ask her to marry him.

Sue Storm of Fantastic Four
Sue Storm of Fantastic Four

Now, Sue’s big dilemma is not Victor Doom’s infatuation with her but her ability to control her powers. Unlike many superheroes who have an uncanny talent to hide their powers, Sue Storm has nothing to hide because she’s the epitome of covertness. Her middle name is Hide. She gets angry, she disappears.

Her date with Reed brings back memories of the past. She doesn’t want Doom. She wants Reed. In a planetarium setting, she tells Reed how she remembers the good times.

Her biggest asset though is not the invisibility, not the incredible force field she exerts, but her power to stay focused and clearheaded. For her, her most valuable asset is her single-minded talent to keep her wits about her.

In the epic battle for her life, she takes on Doom in a quick game of Marco Polo. And although she loses, she gains in the end by working with the others as a team to put away Doom for a long time.

Sue Storm—a fantastic superhero, a Fantastic Four.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen Fantastic Four? What did you think of Sue Storm?

Posted in Women Who Wow Wednesday

Family Women

Today’s Women Who Wow Wednesday feature has not one, but two women who wow! If you haven’t seen The Family, grab yourself a copy and enjoy some good ol’ fashioned dark comedy.

The Family
The Family

Not wanting to spoil it for anyone, I’ll only give you a general idea of the film’s premise.

Set in the quiet climes of Normandy, France, the Blake family relocates to what appears as an interesting square-peg-in-a-round-hole situation. Written and directed by Luc Besson, the writer and director of Léon: The Professional, the audience has some pieces to put together before the true picture of the film reveals itself.

Starring Michelle Pfeiffer as Maggie Blake, the pragmatic mom of the family, she proves right away that she can be a handful. As soon as they move into the new digs, her first remark to her husband Fred (Robert DeNiro) is, “It’s cold here.” He quickly says, “I’ll make a fire. Okay? I’ll make a fire.” That’s power.

First things first, Maggie walks into town and she finds the village folk aren’t so nice. All she asked for was where she could find the peanut butter in a small market. The owner didn’t have to speak French behind her back thinking she only knew English. He didn’t have to allow his customers to diss on the Americans, “They liberated us in ’44 but ever since they’ve overrun us.” And he didn’t have to say, “They eat burgers for breakfast, lunch and dinner.” Not at all.

Of course, Maggie, being the practical person she is fixes the situation the best way she knows how. She bombs the place.

Belle
Belle

Then there’s Belle Blake (Dianna Agron), the daughter. A genuine belle. Blond, blue eyes, and incredibly attractive. Every male in the new school can’t help but turn his head in appreciation of her great looks. Every male, that is, including the idiots. She gets into a car with four idiots who thought they could drive her to a park and take advantage of her. Little do they know she grew up in tougher neighborhoods. When one of them decides to slip the shoulder strap from her dress and says, “Oops,” she smiles. They smile back. After all, they unloaded the car to have a picnic.

Now to Belle, being American and all, what picnic would it be without tennis? Right? She pulls the racquet from the trunk of the car and beats the crap out of the boy with the sticky fingers. Her solution.

The women of The Family are not ordinary women. Not at all. They have a way with making things work, even if situations are unworkable. They don’t take flak from anyone and they always, always get what they want. What’s more beautiful than a woman who knows what she wants?

Besides, they look like girls who can get things done.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen The Family? What do you think of the women in the movie?

Posted in Women Who Wow Wednesday

Karen Hill

Ignored as a date, Karen gives him another chance. Couldn’t stand him, obnoxious, fidgeting around—that’s what she thinks of her future husband. Promises to meet him again on a Friday night and he stands her up.

Lorraine Bracco as Karen Hill in Goodfellas
Lorraine Bracco as Karen Hill in Goodfellas

“You’ve got some nerve standing me up. Nobody does that to me. Who do you think you are, Frankie Valli or some kind of big shot?”

Henry Hill tries reasoning with her telling her he thought it was the following Friday.

“It was this Friday and you agreed, so you’re a liar!”

On their first date, Henry takes Karen on a whirlwind trip through the service entrance of the fanciest restaurant in town. A special table at the front, fine food, a live show with the king of the one-liners, she didn’t know what to think. Henry pays for everything in cash. They even have Bobby Vinton sending them a bottle of the finest champagne.

One day, Karen calls Henry, screaming the boy across the street pushed her out of a car when she wouldn’t respond to his advances.

“He started to touch me. He started to grab me. I told him to stop. He didn’t stop. I hit him back. And then he got really angry.”

Ray Liotta and Lorraine Bracco
Ray Liotta and Lorraine Bracco

Henry takes care of it. He marches across the street and pistol-whips the boy ten times, breaking the kid’s nose. To make his point, after having some words with him, Henry pounds the kid one last time.

“I know there are women, like my best friends who would have gotten out the minute their boyfriend gave them a gun to hide. But I didn’t. I’ve got to admit the truth. It turned me on.”

The couple marries and things change quickly. She realizes she’d married into two families.

“We weren’t married to nine-to-five guys. But the first time I realized how different was when Mickey had a hostess party. They had bad skin and wore too much makeup. They didn’t look very good. They looked beat-up. They talked about how rotten their kids were and about beating them with broom handles and belts. When Henry picked me up, I was dizzy. I don’t know if I could live like that.”

Whatever Karen thinks of her new family, she reasons around the quirks.

“Being together all the time made everything seem all the more normal.”

What normal is, is what normal does.

“We always did everything together, and we always were in the same crowd. Anniversaries, christenings. We only went to each other’s houses.”

And this is where I come in. I write my Women Who Wow Wednesday series in the context of strong women who stand on their own two feet. Fighters, if you will, who aren’t afraid of taking on someone or something greater than themselves. Although Goodfellas comes from a true story, characterization of real people is inevitable. Karen Hill falls into that category.

For a while, she plays by the rules, respecting her husband, keeping the status quo with his crew. But it’s that ability to think for herself that gets her in trouble. More to the point, her ability to go against the flow makes her unique. In a world of murder, deceit and betrayal, Karen demonstrates a strong conviction to do what she thinks is right.

In the end, isn’t that what matters?

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen Goodfellas? What do you think of Karen?

Posted in Women Who Wow Wednesday

Elvira

From the moment she appears on the screen, she captures Tony Montana’s heart and doesn’t let go. A blonde bombshell from Baltimore, Elvira Hancock is the token prize to whoever can claim her as his. That is, whoever can afford her.

Elvira
Elvira

For those who have been following Women Who Wow Wednesday, Elvira (Michelle Pfeiffer) seems an unlikely candidate to include in the series. After all, she’s spoiled, a narcissist, a drug addict—everything about her would make a family man cringe not wanting to have anything to do with her.

But there are moments—moments when in the throes of confusion—when she can utter just one line and it would relate years of wisdom within a single thought.

First, let’s get to the backstory. Tony Montana (Al Pacino), a political refuge from Cuba, lands on United States soil seeking asylum. Nothing could be further from the truth. Fidel Castro, the little island’s leader, had opened the floodgates releasing the dregs of his jails to an unsuspecting American people. Tony, a possible former assassin, is one of them.

In a refugee camp, Tony earns his Green Card by murdering a former Castro associate in a brutal act of vengeance. Released to the streets of Miami, he rises from dishwasher to a full-fledged drug dealer importing cocaine from Columbia. His world changes once he meets Elvira.

Michelle Pfeiffer as Elvira Hancock
Michelle Pfeiffer as Elvira Hancock

You see, Elvira is Frank Lopez’s wife. Frank Lopez (Robert Loggia) is a drug kingpin. Frank Lopez is Tony’s boss.

It doesn’t stop Tony from chasing after the knockout waif. Despite her illegal cravings, her self-absorbed attitude and her constant need for attention, Elvira is a fighter and that is what Tony recognizes. The men she associates with can have her snuffed out without so much as a second thought. Yet she gets away with talking back without much resistance.

When Elvira wants something, she goes for it. She doesn’t beat around the bush:

Elvira: So do you want to dance, Frank, or do you want to sit there and have a heart attack?
Frank: Me, dance? Hey, I think I wanna have a heart attack.

When Tony steps out of line, disrespecting her, she has this to say:

Tony: Now you’re talking to me, Baby.
Elvira: Don’t call me “Baby”. I’m not your “Baby”.

At the height of her drug abuse, she manages to utter one of the most prolific lines in the entire movie:

Elvira: Nothing exceeds like excess. You should know that, Tony.

It gets better. When things begin to sour between her and Tony, her quick wit provides some much-needed levity in their marriage:

Tony: I work hard for this. I want you to know that.
Elvira: It’s too bad. Somebody should’ve given it to you. You would’ve been a nicer person.

Finally, while everything falls apart, Elvira sticks to her guns:

Tony: Look at that: a junkie… I got a junkie for a wife… Her womb is so polluted… I can’t even have a little baby with her!
[Elvira throws wine in Tony’s face]
Elvira: How dare you talk to me like that! What makes you so much better than me? What do you do? Kill people? Deal your drugs? Real contribution to human history, Tony. What makes you think you can be a father? You don’t even know how to be a good husband.

Now, Tony could easily put a bullet in her head, but he doesn’t. Regardless of her shortcomings, she not only makes sense, she also proves that standing up to a force much more powerful than herself proves her ability to dictate her self-worth. And that’s something to wow about.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen Scarface? What did you think of Elvira?

Posted in Women Who Wow Wednesday

Marge Gunderson

“This is a true story. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred.”

Frances McDormand as Marge Gunderson
Frances McDormand as Marge Gunderson

In fact, it isn’t a true story. That’s the charm of Fargo. Filmmakers Joel and Ethan Coen added the disclaimer in hopes viewers would be more willing to suspend their belief of the events of the story. The film is about a kidnapping gone awry in the cold climes of Minnesota and the police officer, Marge Gunderson (Frances McDormand), who breaks the case.

Unassuming but tenacious, Marge, this week’s Women Who Wow Wednesday feature, has a way with catching criminals. Unlike other officers of the law, her language contains a generous helping of “there in a jiff”, “time to shove off” and “thanks a bunch.” When watching her work for the first time, one cannot help but notice the simple-minded feel she projects while she investigates a murder scene. Make no mistake; her quirky exterior hides her razor-sharp ability to see through lies and discover the truth.

Marge Gunderson
Marge Gunderson

In the midst of this, her husband provides her support by visiting her at the station. “I brought you some lunch, Margie,” he says. They talk about his painting. Only, she’s the one providing support after he reveals their neighbors may have a better painting for an art exhibition. Marge, the trooper that she is, says, “You’re better than them.” Which he quickly answers, “They’re real good.” She shoots down his insecurities, “They’re good, Norm, but you’re better than them.”

Punctuated by episodes of an ordinary life, Marge handles every clue to the mystery with the same instincts a bloodhound would use to track its prey. Layer upon layer, she puts it all together as if it were a challenging puzzle ready for the final piece.

When she meets with anyone posing as a threat to her investigation, she focuses her aim on pointed questions, never deviating from her prepared script. One of the best lines in the movie is the one she utters after the man she’s investigating uses the word “darn”—as in “I answered the darn…I’m cooperating here.” To which she replies:

“Sir, you have no call to get snippy with me. I’m just doing my job here.”

And when it’s all over and done with. When there’re no more criminals to catch. Marge talks of the futility in chasing after a little bit of money. In terms of her simple life, she can’t understand what compels anyone from destroying other people’s lives in order to attain that “little bit of money.”

Which begs the question: Why can’t we all just get along?

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen Fargo? What did you think of Marge?

Posted in Women Who Wow Wednesday

Trish Jenner

In one of the most underrated movies in Horror, Trish Jenner (Gina Philips) and her brother Darry (Justin Long) take a ride through the country in hopes of arriving home safe during spring break. Little do they realize something evil stalks the travelers, and they’re about to meet it face to face. This week, my Women Who Wow Wednesday series focuses its crosshairs on the reluctant hero Trish Jenner of the movie Jeepers Creepers.

Gina Philips as Patricia "Trish" Jenner
Gina Philips as Patricia “Trish” Jenner

It starts with the siblings witnessing a possible crime and the story escalates from there. Released in late August of 2001 with a budget of $10 Million and directed by Victor Salva, the movie went on to make almost $60 Million worldwide. Yet, not only did most critics pan it, the film is not a Horror fan favorite either.

Although for a third of the movie Trish appears as a self-centered sister, her character shines once her brother returns in shock after having explored a hole in the ground. Her “keep it together” phrase comes in handy with every passing moment Darry losses touch with reality. Instead of fear, which her brother shows without restraint, her strength lies in remaining calm regardless of what is going on around her.

Jeepers Creepers
Jeepers Creepers

The turning point in her character comes when she gets behind the wheel of her busted up collector car and decides to take matters in her own hands. Gone is the apprehensive, smart aleck. In its place, an action hero takes control to save the day. One of the best lines of the movie goes something like this:

Darry: Is he dead?
Trish: They never are.

Trish then proceeds to run over whatever’s been chasing them for the length of the film several times before her brother says, “Enough.” Nothing quite like a character who’s had enough of a situation to let her inhibitions run wild.

As much as Trish fulfills the role of a Doubting Thomas, in the later half, she makes it clear her only intention is to protect her and her brother from harm’s way. As much as she complains, throws sarcastic remarks or hides her emotion, she is very much a woman as any woman could be—but stronger. Her instincts guide her in times of peril. When everyone else runs away, she remains firm in her stance against the unknown.

And it’s that firmness in resolve that makes her someone to admire.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen Jeepers Creepers? What did you think of Trish Jenner?

Posted in Women Who Wow Wednesday

Solara

When is it right to kill. When is it right to eat of the earth that which it provides as food? The death of an animal may prove fatal for the animal, but for a human it becomes food. So begins the film The Book of Eli, in ash-filled woods with a cat chewing on the foot of a man with a bullet firmly planted in his head. The cat becomes food.

The Book of Eli's Solara
The Book of Eli’s Solara

Eli (Denzel Washington) travels the dystopian nightmare hunting for trade. A pair of gloves and scarf can provide him water for a week. Hijackers can also use those articles. Eli doesn’t have trouble dispatching the gang. Armed with a machete tucked neatly under his coat, five quickly become none.

In a bar across the street from where Eli left his battery for recharging, a patron picks a fight with the wanderer. Not a good idea. The machete appears once again to clear the room of all the other gangsters, rather, patrons. Just as he was about to deliver the final blow, Solara (Mila Kunis) appears saying two simple words prompting the barkeep maiden’s inclusion in my Women Who Wow Wednesday series. “Stop. Please.”

Mila Kunis
Mila Kunis

Strong willed, persistent, yet something’s missing in Solara’s life she never knew she missed. She realizes Eli possesses the key. He knows, and it all begins with dinner for two holding hands and uttering words with closed eyes. She doesn’t know what it means, but she carries that memory to her mother, reciting the same words—a blessing over the food in God’s name.

By the time Eli leaves town, Solara’s curiosity drives her to follow him. A sidekick who gets into trouble more than once, Solara cries for what could have been her death. Soon after Eli saves her, she attempts to personally inspect the book he so guards with his life. In clear terms, he states no one touches the book. However, he neglected to commend her on her courage.

When a conflict ensues leaving her the last one standing, she takes it upon herself to save the day. With the wheel in both hands, she heads west, just as Eli had instructed. Filled with the hope for a new world, Solara follows Eli in faith, even though she doesn’t know what faith is. She trusts him. Wherever Eli goes, Solara follows. Nothing can stop her determined effort to live a life apart from the violence she left behind.

And that’s what makes Solara special. Into the mouth of the unknown she fights with her life for a place she can call her own. She believed all she saw, but with Eli, she believes in the unseen, having faith she will arrive where she belongs—a dwelling of peace and comfort.

Solara, Women Who Wow Wednesday’s woman of faith.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Have you seen The Book of Eli? What did you think of the film?