Somehow, whenever October rolls around, I feel a definite shift in people’s attitudes. I think a lot of it has to do with Halloween coming at the end of the month. I also think the time change at the beginning of November has people thinking of the darker evenings. For some, it brings SAD (Seasonal Affective Disorder), and for others, the shorter days can prove a great motivator to flee for warmer climes.
For some, Horror movies can be a sensitive subject. Depending on the story, the film can act as a portal for demon possession. Don’t ask me where I read that. I just did. I can’t blame anyone for thinking that. If you’ve seen The Exorcist, you would think there is more to that film than the simple possession of a little girl on screen. I saw it when I was ten years old. I couldn’t sleep for a week. Years later I read somewhere that two main characters connected with the film died unexpectedly shortly either before or after the premier. Reports surfaced that during the film’s run, certain members in the audience passed out in the aisles while watching the film. Stationed outside movie theaters were ambulances waiting for more and more victims. A few of the cast members once said they believed the set was haunted.
The Sixth Sense had a similar effect on audiences, but in a different way. I’ve lost count of how many times I’ve watched that movie. I would consider the flick a perfect case study for writers who want to learn about plot, pacing, character development and escalating action. The film also sports an ending that few, if any, could have guessed. I know I didn’t have a clue.
I consider The Sixth Sense a Horror movie, but not in the way that others might consider it Horror. The escalating images of dead people with its eerie musical cues and scenes written in the Hitchcock style, makes this film more than an ordinary Horror film. It’s scary, not because of what you see, but because of what you don’t see.
The whole Horror genre nowadays has changed. More and more filmmakers attempt to outdo each other with graphic scenes of gore that would even make a serial killer take notice. As the audience desensitizes to yesterday’s splatter count, they also want more. Gone are the days when a filmmaker could get away with not showing the murder. In fact, if I may be so bold in saying, today crime films can fit into a category all on its own for being a cross between the Detective and Horror genres. Throw in a couple of demon possessions and there you’d have the perfect genre.
Nevertheless, knowing all this, I have a question for everyone—and I’m genuinely curious about your thoughts about this subject.
What scares you?
What I mean is, what really scares you?
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What scares you?