Posted in Monday Mayhem

I Hated Zombies, Too

I’ve related several times on this site that as a kid I never really liked zombies. In fact, if anything, I hated them. I thought they were slow, easy to beat and in some way, a comedy waiting to happen. How could I have loved them? They just weren’t cool. But once I saw 28 Days Later, that all changed. I couldn’t get enough of them. They were fast. Frightening. And unbeatable. One bite and you’re one of them.

Zombies everywhere [Photo Credit: el-grimlock]
Zombies everywhere [Photo Credit: el-grimlock]
For today’s Monday Mayhem, I would like to talk a bit about my experience with zombies, what I like about them and their appeal to my sense of adventure.

Through cartoons is how I remember zombies. I didn’t take them seriously since they were slow and not very bright. I remember how the heroes could outrun and outfox them at every turn. I even remember how with one wallop zombies fell to the floor without much trouble.

Early this decade I had my first zombie encounter with 28 Days Later. The scene with the lone survivor walking the streets of London instantly captured my imagination. I could relate to him. Who couldn’t? Imagine waking up and finding your world turned into a massive garbage dump complete with a built-in threat that you’re not sure how it got that way. The movie introduced me to fast zombies and a genre teeming with films I once had ignored in the video store.

28 Days Later poster
28 Days Later poster

After binge watching 28 Days Later and 28 Weeks Later back to back, I couldn’t get enough of the undead. To me, they were like roaches. The more you killed the more they infested every facet of your life. I quickly watched Dawn of the Dead and Night of the Living Dead in one sitting. Dawn of the Dead especially left me wanting to watch it again. And I did. The story was not altogether unique, but the delivery of the plot came as a surprise. The rooftop scene brought me to tears from the laughter. It surprised me and shocked me.

During this time, The Walking Dead caught my attention.

Whatever I’ve learned from the other zombie movies came full circle with The Walking Dead. I had gone from not liking slow zombies to loving fast zombies to appreciating slow zombies. The Walking Dead featured slow zombies called walkers. Not only were they lethal, as in one bite will kill you lethal, but whenever they attacked, they attacked as a massive horde. I grew to love the walkers. They are what zombies should have been when I was growing up.

Then, with the movie World War Z, the crowd of zombies burned tread marks on the highway. They looked like vampires amped up on speed. The film raised my imagination and kept me busy consuming any and all stories in the zombie genre.

How far has my love for the undead gone? Today, I write about zombies.

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RANGER MARTIN AND THE ALIEN INVASION, on sale now.

What initially sparked your interest in zombies? What do you find the most appealing thing about them?

Posted in Monday Mayhem

Why Do We Fall?

One of the tracks from the film The Dark Knight Rises composed by Hans Zimmer goes by the title Why Do We Fall? Not only does the title serve as a great prompt for this week’s Monday Mayhem article, but also provides a perfect lead-in to promoting the film. If you haven’t seen The Dark Knight Rises, what are you waiting for? I recommend it without a quibble.

The Dark Knight Rises
The Dark Knight Rises

Getting back to the question, why do we fall? I’ve watched many zombie movies while asking the same question, always scratching my head wondering why none of the film characters listens to that still small voice in each of them that tells them not to do something they shouldn’t.

Reason #1: Stupidity/Ignorance

A good example is in the film 28 Days Later. The audience wants the zombie apocalypse to happen, yet they cringe whenever they see it happen due to human frailty. The audience repeats the telltale phrases: Leave the monkeys alone. Don’t touch the cages. Don’t open them; you don’t know what you’re doing. In spite of common sense screaming at the characters to do the right thing, and the audience tossing verbal insults at them as well, they ignore the obvious and do the worst.

Reason #2: Accidents/Fear

Another example happens in countless other zombie movies, especially the ones where viruses are the focus and scientists are working in a lab. One of the workers always shatters a vial tainted with an unknown disease, breaks protocol and infects others by not reporting it. The other side of the spectrum happens when all the lab’s fail-safes collapse and releases the pathogen into the atmosphere unintentionally producing another undead abomination.

Reason #3: Malice/Rebellion

The last example is my favorite because it has nothing to do with humanity’s ignorance or accident-prone traits. It is the defeat of the heart.

The Walking Dead is great when it comes to showing this. Throughout the series, we meet leaders of groups who think society would be better off following their direction. Only, their direction is—most often than not—twisted. They serve themselves and judge others as rebels who do not follow their lead. One so-called leader kept trophies of his victims’ heads in glass tanks to view at his leisure.

Conclusion

Why do we fall? Can it be we humans have a proclivity to annihilate each other regardless of our incredible potential? Or is it we’re so daft in not realizing whatever action we take has an equal and opposite reaction? Or is the human heart so cunning as to even fool us into believing what we do, no matter how well-intentioned, will always result in good things?

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, on sale now.
RANGER MARTIN AND THE ALIEN INVASION, on sale now.

Why do you think civilizations are prone to failing miserably?

Posted in Monday Mayhem

My Favorite Zombie Scenes

How many remember the scene in the movie World War Z where one of the zombies bites a human and a little girl initiates a countdown? It’s one of the most harrowing depictions of an undead change I’ve ever seen on film. So many elements make that scene work—the muted colors, the pounding score, the cold setting of the street while an infected rampage attacks others like a pack of ravenous wolves. Gosh, what a great scene.

For today’s Monday Mayhem I’m going to talk about my favorite zombie change scenes, and why I think they make for great viewing for any zombie lover out there.

28 Days Later
28 Days Later

Let’s start with 28 Days Later. No scene can compare with the one where Frank (Brendan Gleeson) steps under an infected body overhead and a drop of its blood hits him in the eye. He was one of the primary characters in the movie, delivering others from the evil that had spawned in the laboratory to consume the world. After much wiping and rubbing and contortions, he doesn’t have a chance. The way he had taken the role of father figure made the scene even more ironic in that he’d become the victim he attempted to prevent others from becoming.

Next up is 406 (Amber Heard) from the feature Zombieland. She’s Columbus’ (Jesse Eisenberg‘s) attractive next door neighbor a few apartments over. She pounds on our hero’s door looking queazy, running scared, but looking all the more beautiful than when Columbus first remembers her. Naturally, he offers her refuge from the homeless man who had attempted to bite her. All she wants now is to sleep. She grabs a pillow, rests it on Columbus’ shoulder, and falls into a deep sleep. After a quick fade-to-black, He awakens to find her changed and chasing him in his apartment. The scene works incredibly well because the audience, enchanted by her beauty, wasn’t expecting what she looks like after the change takes place. It also proves the cliché to be true—beauty is only skin deep.

The Walking Dead
The Walking Dead

The last scene comes from the TV show The Walking Dead. Andrea, the woman who seems to be the most ordinary and plain character of the lot, holds a vigil for her sister who falls victim to a walker’s bite the night before. The day after, while the other survivors make due with everything they have as their possessions, Andrea maintains her silence holding her sister in her sight and never letting go. She knows what’s to come. She understands that if her sister fell to the walkers the next step in her life will not be that of resurrecting as a living being, but a monster. As the morning draws on, movement in her sister sparks a smile in Andrea. Yet, the pale eyes, the subtle growl reveals a different story. Andrea may remember her sister as a loving, compassionate girl, but the body rising from the dead says otherwise. Andrea knows what she has to do.

The gunshot resonates throughout the valley liberating her sister and initiating Andrea’s hatred for the walkers.

These are the scenes I remember the most about characters who have met an untimely death and came back less than in stellar shape than what they were when they were alive.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, on sale now.
RANGER MARTIN AND THE ALIEN INVASION, on sale now.

Do you have any zombie scenes of which you never tire?

Posted in Monday Mayhem

Zombie Characters

A few days ago, I watched World War Z—again. This movie will not go away, will it? I remember thinking how quickly humans had turned into zombies. The bite. The convulsing. The white eyes. The shreaking. And the cycle continues. I’d noticed this before, but never really analyzed it in depth. Not something I’m about to do either. I suppose that’s a good thing since it means the story kept me entertained enough for me not to wonder about these silly little nuances in character design.

R from the movie Warm Bodies
R from the movie Warm Bodies

In past posts, I’ve used Monday Mayhem as a springboard for fleshing out (pun intended) new concepts in the zombie genre in order to understand what makes a good story regarding the undead creatures. Because that’s what they really are—creatures. Anything that’s not human is inhuman. I think we can classify zombies as inhuman. Wouldn’t you say? Anyway, after a quick survey of my past posts, I realized I’d omitted one key topic that would come in handy in any zombie discussion. Who are the zombie characters I’ve grown most fond of during my fascination with all things undead?

I’m not going to limit this to a single character, but I would think a type of zombie would also constitute a character. Wouldn’t you think? Nonetheless, let’s see how it goes then you can tell me if it makes sense or not.

R—I’d written about Warm Bodies‘ R once before, yet I always seem to feel I haven’t done justice to this character. He’s a zombie with a heart who falls in love with a girl who just as rather put a bullet in her head than spend the afternoon with the undead. Why do I like him? He’s vulnerable and displays childlike qualities. He wants to learn and wants to teach. He’s a monster who becomes more human as the story progresses.

406 from the movie Zombieland
406 from the movie Zombieland

406—Known as the girl from apartment 406. In my opinion, she is Zombieland’s most interesting undead character. Played by the beautiful Amber Heard, 406 makes her appearance early in the movie and with a quick resolve, makes an impression on the audience. Her advances toward Columbus (Jesse Eisenberg) are anything but sensual. When she tries to take a bite out of him, he knows better and the mad dash begins. Fun fact about 406? Even though infected with the zombie virus, she’s still as attractive as ever.

28 Days Later Zombies—Some of most malevolent zombies make 28 Days Later a zombie lover’s delight. They’re fast. They’re tough. They’re strong. These true creatures of the undead bite, kill, and eat. They’re ferocious, crashing through windows and tearing apart doors. No matter the circumstances, if the armies weren’t there, they’d decimate an entire city, which they’ve done before. How else to describe the devastation they cause?

Shaun of the Dead Zombies—They happen to be my favorite zombies of all. They’re slow, dim-witted and sometimes hilarious. How else can I describe Shaun of the Dead zombies? When victims throw vinyl records at these misfits and survive, you know we have real winners here. The best way to distract them from eating you is to act as a tour guide in order to steer them away from friends by appearing as the only tasty snack they ought to consider as their only option to consume.

I wanted to talk about a number of other characters including those in World War Z, but then we’d be here all day. I’m sure you’d appreciate a shorter post with fewer characters and an opportunity to add your own, than a longer one with a gamut of zombies to read about. Perhaps one day I’ll explore the whole zombie universe, but that day isn’t here yet. For now, have a go adding your favorites and see how far you can take it.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Which characters haven’t I mentioned that you like? What makes them memorable?

Posted in Women Who Wow Wednesday

Selena

No one messes with Selena. No one. At first glance, she doesn’t say much. Her beautiful looks do not betray her enthusiastic will to survive. Not until the infected crash through a safe house does she show her true colors. With a machete in hand, she kills her best friend after seeing his arm bleeding from a bite wound. She would do it again in a heartbeat.

Naomie Harris
Naomie Harris

Adding to Women Who Wow Wednesday is Selena, the 28 Days Later character that shows no qualms in dispensing justice against the infected.

The story begins in a primate lab where scientists are experimenting with chimpanzees, infecting them with a virus called Rage. Animal rights activists overtake the lab’s security and quickly proceed to free the subjects of the experiments. Unbeknownst to any of them, they unleash the deadly virus on Great Britain, leaving the island in tatters from the devastating effects.

When Jim meets Selena (Naomie Harris), she and her fellow fighter, Mark, take him in as one of their own. Jim came from a hospital nearby, the sole survivor from the medical facility. The first thing Jim witnesses is Selena’s willingness to kill in order to remain alive. He can’t understand what drives her to want to destroy everything around her. Within days, he discovers her unyielding determination to survive—even if it means killing everyone around her that exhibits symptoms of the Rage virus.

Naomie Harris in 28 Days Later
Naomie Harris in 28 Days Later

Other characteristics set Selena apart from the rest of the survivors. She sees things as black and white. Do this, get killed. Do that, live. You get bitten, you die. Simple as that. Her definition of living is surviving. The infected are fast. The infected are strong. Nothing she will do can replace her life that was. But she can certainly ensure her safety by keeping her wits about her.

That is, until we see her eyes light up when passing a grocery store with the other survivors in the car. They go shopping. The first thing she advises everyone to do is to not take anything that needs to be cooked, which prompts Jim to say, “I think I can eat that raw.” Of course, Selena has her own weakness. “If I never see another chocolate bar again, it’ll be too soon. Not counting Terry’s Chocolate Orange!”

As tough as Selena appears, she also has a soft heart. Embracing the sight of horses running free on the moors warms her face with a smile that stretches from ear to ear. Talking with Jim, she states, “You were thinking that you’ll never hear another piece of original music ever again. You’ll never read a book that hasn’t already been written or see a film that hasn’t already been shot.” Huh, Selena—the softie.

Inasmuch as Selena sleeps with a machete in her hand, she’s very much a woman. Nonetheless, nothing will deter her to outlive the infected. She has life built in to her makeup.

Always cautious, always ready for a battle, Selena is a powerhouse fighter ready to take on anything that may get in her way.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

Do you remember Selena from 28 Days Later? What did you think of her?

Posted in Monday Mayhem

A Zombie Party

Growing up in one of the toughest neighborhoods in Toronto, my parents provided me a normal childhood by rearing me on a steady diet of cartoons, sitcoms and movies. TV introduced me to a world of characters I would have otherwise not known. Some of those characters possessed the skill to frighten me in ways that would prevent me from having a good night’s sleep. Dracula, Frankenstein, the werewolf, and to some extent, the mummy creeped me out. Zombies never did anything for me.

28 Days Later
28 Days Later

Shocking, isn’t it? It’s Monday Mayhem. Would you expect anything less?

I mentioned this once before in another post that as a kid I considered zombies cartoonish, pasty, disfigured anomalies I didn’t take seriously until I saw the movie 28 Days Later. That’s when I knew my life had changed and couldn’t look at zombies the same way again.

Since then, I have a staple of movies I recommend to everyone interested in understanding zombies better. By no means are these the best zombie films, but they are defining works for the genre.

If you’ve read me long enough, you’ll know how much I enjoy George A. Romero’s undead compendium—The Night of the Living Dead, Dawn of the Dead, and Land of the Dead. Produced over the course of thirty years, these films set the rules for subsequent zombie behavior. Although some may consider these B movies, every year these titles have withstood the test of time by attracting new audiences with their original concepts and stories.

I’ve learned from these movies The Three Commandments of the undead:

I—The Dead Have Come Back to Life
II—The Undead Crave Human Flesh
III—The Undead Will Die with a Blow to the Brain

As noted, 28 Days Later is the perfect introduction for new film students feeling the need to want to appreciate the zombie genre. The movie contains ideas some viewers may find interesting. For instance, the work presents a solid case regarding a zombie apocalypse fashioned after a virus running rampant among the population. Also dominant in this film are fast zombies, something explored fully in World War Z.

Zombieland Rule #8
Zombieland Rule #8

These last two movies are my favorites. Without these, folks would take zombies much too seriously. I’m talking about Zombieland and Shaun of the Dead. Both films have their quirks. Both films are equally hilarious. The more useful of the two, Zombieland details a set of rules zombie apocalypse survivors can utilize to remain alive. Instructions such as “beware of bathrooms” and “cardio” made it into the Top 10. Shaun of the Dead makes an impression by the amount of gags it pulls. In one scene, the boys throw vinyl records on the oncoming undead all the while arguing as to which records to throw, always having a favorite they’d rather save as a keepsake.

Indeed, I could mention many other movies, but these ones provide a future zombie film enthusiast something to think about when perusing online for a title to watch on a cold Friday night. Who knows, maybe they’ll even find the Resident Evil franchise to whet their appetite (pun fully intended).

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, now on sale.

What movies would you recommend your friends to watch that would act as a primer for learning about zombies?

Posted in Monday Mayhem

I Hated Zombies

There once was a boy name Jack, and he hated zombies without lack. Crazy, isn’t it? That boy was me. I disliked zombies because I thought they were the stupid, malignant, dregs of Horror that amounted to nothing better than cheap laughs and gruesome kills.

Dead Rising 3
Dead Rising 3

Now that I have your attention, I’m dedicating this Monday Mayhem post to the skeptics. To all those folks who hate zombies and don’t know why. Ahem, because they think zombies are of the devil—or something so insanely ridiculous as such. This post goes out to you dislikers of the undead. Prove your hatred.

It wasn’t long ago when I, too, freely admit to have been one of the zombie naysayers. I’d thought vampires were cool and werewolves were powerful. But zombies? What did they have? I couldn’t get past their weak countenance. They wore torn clothes, for crying out loud. Even I could have punched one of them in the face to have it topple over like the scarecrow in The Wizard of Oz.

Ah, but you see, that’s where I went wrong. I thought of a zombie as a single unit. That’s not where a zombie’s strength lies. Zombies don’t work that way. Separate a zombie from the crowd and yes, it’s time to say good-bye to another of the undead. However, as part of the horde, it’s as good as dug itself in like an Alabama tick. As a whole, they’re impenetrable; functioning as a single-minded mass with only one thing on their mind—eat.

Someone's in Trouble
Someone’s in Trouble

When did I change my view on zombies? I saw 28 Days Later late one night while my family slept, and I needed some solid entertainment. I didn’t know what the movie was at the time, having caught it a few minutes after the credits, but I watched it anyway. Hard not to watch someone waking up in hospital garb to what looks like a world gone crazy. Then have the movie tease me to a slow reveal. That’s what started it all for me. I saw the zombies. They weren’t weak but strong brutes able to turn other humans into zombies. And the humans were afraid of them. I thought, what is this? Shivers trailed my arms to my spine leading up my neck. The movie captivated me. I wanted more.

From there I went on a zombie binge. Within a week, I had seen 28 Days Later, 28 Weeks Later, Dawn of the Dead, Shaun of the Dead, and Zombieland.

The old Scooby-Doo paradigm I had carried for so long had all but disappeared, replaced by today’s zombie—a predator of vast proportions, able to seek and destroy those who’d dare get in the way. Their single-minded focus to rid the world of humans fascinates me. They act as Star Trek’s Borg, a collective bent on satiating eternal hunger pangs. How can I argue these zombies are weaklings?

To exacerbate the issue, I’d fallen in love with the notion zombies can reproduce. One bite is all it takes and a human is no longer with the living. In some respect, it might actually be an improvement since some folk are dead already.

Yae, naysayers, come and give pittance to your trite cause for slamming zombies wherefore you know nothing of. You hate the undead in ignorance. Let the beasts of the field show you the empty graves to those who will dismember the world.

RANGER MARTIN AND THE ZOMBIE APOCALYPSE, on sale October 22.

What do you like about zombies the most? Did you have an epic flip from hater to lover of the genre?